Giacomo Bottà has a doctorate in comparative cultural studies from IULM Milano and he is currently adjunct professor (docent) in urban studies at the Department of Social Research, University of Helsinki. Her research interests include Englishness, the postcolonial city, class, culture, gender, museums, digital media, grime music and ‘stately homes’. She teaches, among other things, about youth subcultures and international heritage and cultural tourism. Ruth Adams is a Senior Lecturer in Cultural and Creative Industries at King’s College London. PART II: ‘Back in the garage with my bullshit detector’: The Clash and the cultural politics of punk 4 ‘Are you going backwards, Or are you going forwards?’ – England past and England future in 1970s punk Ruth Adams 5 Retrieving the messianic promise of punk: The Clash in 1977 Kieran CashellĦ What if Keith Levene had never left The Clash? Punk and the politics of novelty Pete Daleħ ‘The beautiful people are ugly too’: The Clash as my ‘true fiction’ 144 Martin James PART III: ‘It could be anywhere, Most likely could be any frontier, Any hemisphere’: The Clash around the world 8 ‘Up and down the Westway’ or ‘live by the river’? Britishness, Englishness, London and The Clash Conrad Brunströmĩ ‘Cashing in the bill of rights’? The Clash in New York, in myth and reality Harry Browneġ0 The one struggle: The Clash, Gary Foley, punk politics and Indigenous Australian activism Alessandro Moliternoġ1 Brigade Rosse: The Clash, Bologna and Italian punx Giacomo Bottà and Ferruccio Quercetti PART I: ‘No Elvis, Beatles or the Rolling Stones’: The Clash, the politics of pop and the neoliberal conjuncture 1 The Clash, revolution and reverse Jason ToynbeeĢ The Clash and musical artistry: against the corporate voice Caroline Coonģ ‘Up in heaven (not only here)’: The Clash, left melancholia and the politics of redemption Colin Coulter List of contributors ix Acknowledgements xii Working for the clampdown: an introduction Colin Coulter This book is dedicated to the memory of Professor İsmet Emre Işık (1969–2016) Dünle beraber gitti cancağızım Ne kadar söz varsa düne ait. Typeset by Servis Filmsetting Ltd, Stockport, Cheshire Published by Manchester University Press Altrincham Street, Manchester M1 7JA British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library ISBN 1420 4 hardback ISBN 1421 1 paperback First published 2019 The publisher has no responsibility for the persistence or accuracy of URLs for any external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Working for the clampdown The Clash, the dawn of neoliberalism and the political promise of punk Edited by Colin CoulterĬopyright © Manchester University Press 2019 While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors, and no chapter may be reproduced wholly or in part without the express permission in writing of both author and publisher. The one struggle: The Clash, Gary Foley, punk politics and Indigenous Australian activismīrigade Rosse: The Clash, Bologna and Italian punx ‘Cashing in the bill of rights’? The Clash in New York, in myth and reality ‘Up and down the Westway’ or ‘live by the river’? Britishness, Englishness, London and The Clash Part III: ‘It could be anywhere, Most likely could be any frontier,Any hemisphere’: The Clash around the world
‘The beautiful people are ugly too’: The Clash as my ‘true fiction’
What if Keith Levene had never left The Clash? Punk and the politics of novelty Retrieving the messianic promise of punk: The Clash in 1977 ‘Are you going backwards, Or are you going forwards?’ – England past and England future in 1970s punk Part II: ‘Back in the garage with my bullshit detector’: The Clashand the cultural politics of punk ‘Up in heaven (not only here)’: The Clash, left melancholia and the politics of redemption The Clash and musical artistry: against the corporate voice Part I: ‘No Elvis, Beatles or the Rolling Stones’: The Clash, thepolitics of pop and the neoliberal conjuncture Working for the clampdown: an introduction
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